![]() Music in the related minor key has the characteristic minor sound, and tends to use more of the related minor chords of the scale (such as Am, Dm and Em in the A Natural Minor scale). ![]() Music in a major key has the characteristic major sound, and tends to use more of the related major chords of the scale (such as Cmaj, Fmaj and Gmaj in the C Major scale). As for the key signatures of the above scales, they are as follows: C major has no sharps or flats. Music in the related minor key has the characteristic minor sound, and tends to use more of the related. Music in a major key has the characteristic major sound, and tends to use more of the related major chords of the scale (such as Cmaj, Fmaj and Gmaj in the C Major scale). There are a few that are enharmonic equivalents of each other (same piano notes, but with different names) like F. On the inside are the corresponding minor key names. On the outside are the major key names, separated by fifths. To help understand and remember key signatures, a chart called the circle of fifths can be used. So how do you know when music is in a major key, or the related minor key? The starting or ending chords in the song often give the best clues. The starting or ending chords in the song often give the best clues. The arrangement of sharps and flats at the beginning of a piece of music is called a key signature. The other key signatures can have between 1 to 7 sharps. You can assume that when a minor key is referred to, it is the Natural Minor scale, unless one of the other minor scales is specifically mentioned. The key of C major has no sharps or flats in the key signature. Some examples of equivalent Major and Natural Minor keys are shown below. This means that music in a Natural Minor scale can be written on staff lines in the key signature of its relative Major scale without any accidentals. Don’t get this confused with the relative key change I just talked about a parallel key features the same tonic, but the major or minor version of it. Another common way to change keys is going from a major key to its parallel minor (or vice versa). This is a very important property of the Natural Minor scale.Įvery Major scale has a relative Natural Minor scale, starting on its sixth note, which contains the same notes. In tonal Western art music, when a piece tends primarily to use the pitches of a single major or minor scale, it is said to be in that major or minor key. 2) Switch to the Parallel Major or Minor Key. As we noticed in the previous topic, the A Natural Minor scale contains the same notes as the C Major scale, with just a different starting note.
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