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![]() This, unfortunately, makes her a poor teacher, as she quickly gives up on teaching Yutani how to skateboard when her friend keeps asking her questions rather than executing her directions. The Perfectionist: Strives for perfection in everything she does, especially when it comes to break dancing and her precision skate tricks.Ojou: In her personal life (the animated series), she is the heir to the family fortune.Hartman Hips: Despite her age, she has very prominent hips.Girlish Pigtails: She styles her hair into 2 pigtails.The Cutie: Especially In her Elf and Heart Outfit.Bare Your Midriff: She wears a short tank top that reveals her flat belly and navel in any outfit.She has two alternate outfits: the Camo Outfit (costs 25 keys) and the Heart Outfit (costs 40 keys) Tricky is obtained by gaining three of her hats. Voiced by: Karen Strassman (animated series)Īn intelligent blonde girl who strives for perfection and the next, easiest character to be unlocked. Our Zombies Are Different: As Zombie Jake.Never Bareheaded: Always wears a red cap with "Sub Surf" on it, regardless of what outfit he is in.The Leader: The official website described him "leader and spirit" of the Subway Surfers, as he is the first ever playable character and the pioneer of the whole graffiti-on-train thing.In the Hood: Has his hoodie on all the time.Curtains Match the Window: From what we can see in game and the Animation, Jakes hair is the same brown color as his eyes.Cool Shades: In his Dark Outfit, he is accompanied with a pretty sassy pair of shades.Big Ol' Eyebrows: Has pronouncedly massive eyebrows, which are especially fuzzy in the animated series. ![]() Jake has two alternate outfits: Dark (which is free) and Star outfit (costs 30 keys). Confident and charming, restless and reckless. He is a graffiti artist who always gets in trouble with the inspector. The first and default character you receive in game. Voiced by: Nicolas Roye (animated series) The fourth page shows the details behind each measure. Smart filters at the top of the page let you filter the Table and To Table in the relationships. Slicers on the left filter both the force directed graph and the table. The third page shows relationships between the tables. The second page uses a bar chart as an interactive filter against a list of table source queries and columns. It gives me a decent idea of the size and complexity of the model. On the first page, I have several summary numbers that tell me about the contents of the model. I imported the Excel model into Power BI, made a few adjustments, and then added some visualizations. This report is a bit paired down from a visualization standpoint compared to the Excel file because I eliminated some of the data that wasn’t analytically relevant for me.Ĭlick here to view this report in Power BI. But we could really analyze this using visualizations other than tables in Power BI Desktop. This is great if you just need documentation or a quick way to look up specific information. I was able to open the file and update the queries with no issues and no changes in Excel 2013. Just download the file, change the values in the TabularInstanceName and TabularDBName queries, and refresh. You can download and use this model if you have Excel 2016 or 2013 with Power Query. The rest of the tabs use pivot tables and slicers. The Database Info tab uses cube functions to display the values shown. Perspectives and the columns, hierarchies, and measures they contain.Security roles, membership, and permissions.This redesign gets you around the error since the finalized tables don’t have the embedded source connection, just a reference to the results from another query. Basically, you have to redesign your queries so that you have “staging tables”, which you can then use to build finalized tables. Ken Puls has a great explanation of how to get around this issue. “Formula.Firewall: Query ‘QueryName’ (step ‘StepName’) references other queries or steps and so may not directly access a data source. ![]() As I did that, I ran into a Power Query limitation as evidenced by the error message below. I built my model with the normal embedded connection strings and then converted them to use the connection Connection Info tables. In order to make this work for any model, I employed a trick I learned from Chris Webb to avoid duplicating connection information across queries. This enables me to merge data into a model that I feel makes the most sense and doesn’t suffer from too many relationships and hidden tables (which is what would happen if you just imported the results of each DMV query into the model). My Power Pivot model uses Power Query to import the data from the DMVs. My example model was connected to a quick demo SSAS model I made based upon the Wide World Importers DW database. You can download my documentation model here. Since I needed to document a tabular model for a client, I created a Power Pivot model in Excel 2016. This makes it necessary to store the data somewhere before transforming and merging them. Since DMVs require DMX queries, you are somewhat limited in your ability to join the data from the DMVs together. ![]() For more information analyzing your Power BI model, see Chris Webb’s post. You’ll just need to change the connection information to your Power BI instnce while the. I’ve been able to figure out the descriptions that correspond to some of the values, but I’m still missing a few.Īs with the MDSCHEMA DMVs, the TMSCHEMA DMVs can be used to document your model. There are a few fields that show IDs rather than descriptions (e.g., ExplicitDataType in TMSCHEMA_COLUMNS, Type in TMSCHEMA_DATA_SOURCES). While there are 36 TMSCHEMA DMVs, the main DMVs you will want to check out for model documentation purposes are: Until then I published a Gist that provides a list of those views as well as some notes on what kind of useful info is in each one. I expect them to show up here at some point in the future. They are, unfortunately, not documented at this time (as of ). Not to worry, though. With the new compatibility level 1200 SSAS Tabular models came some new DMVs. For example, the MDSCHEMA_MEASUREGROUP_DIMENSIONS DMV seems to just return one row per table rather than a list of the relationships between tables. If you were used to documenting your SSAS model using the MDSchema rowsets, you might have noticed that some of them do not work with the new tabular models. ![]() ![]() The study also revealed other changes beyond additional shut-eye. “Thirty-four minutes of extra sleep each night is a huge impact to see from a single intervention,” said de la Iglesia. The information obtained from the wrist monitors revealed the significant increase in sleep duration, due largely to the effect of sleeping in more on weekdays. Students in both groups also self-reported their sleep data. Two teachers at Roosevelt and one at Franklin worked with the UW researchers to carry out the study, which was incorporated into the curriculum of the biology classes. Researchers used both the light and motion data in the wrist monitors to determine when the students were awake and asleep. In 2017, about seven months after school start times had shifted later, the researchers had a second group of 88 students - again drawn from both schools - wear the wrist activity monitors. The wrist monitors collected information about light and activity levels every 15 seconds, but no physiological data about the students. One group of 92 students, drawn from both schools, wore wrist activity monitors all day for two-week periods in the spring of 2016, when school still started at 7:50 a.m. The UW study compared the sleep behaviors of two separate groups of sophomores, all enrolled in biology classes at Roosevelt and Franklin high schools. Roosevelt High School in Seattle, Washington. ![]() “This has severe consequences for health and well-being, because disrupted circadian rhythms can adversely affect digestion, heart rate, body temperature, immune system function, attention span and mental health.” “All of the studies of adolescent sleep patterns in the United States are showing that the time at which teens generally fall asleep is biologically determined - but the time at which they wake up is socially determined,” said Dunster. Centers for Disease Control and Prevention, only one-quarter of high school age adolescents reported sleeping the minimum recommended eight hours each night. According to a survey of youth released in 2017 by the U.S. Certain light-emitting devices - such as smartphones, computers and even lamps with blue-light LED bulbs - can interfere with circadian rhythms in teens and adults alike, delaying the onset of sleep, de la Iglesia said. But early-morning social obligations - such as school start times - force adolescents to either shift their entire sleep schedule earlier on school nights or truncate it. Scientists generally recommend that teenagers get eight to 10 hours of sleep each night. is like asking an adult to be active and alert at 5:30 a.m.,” said de la Iglesia. “To ask a teen to be up and alert at 7:30 a.m. These changes cause teens to fall asleep later each night and wake up later each morning relative to most children and adults. But the onset of puberty lengthens the circadian cycle in adolescents and also decreases the rhythm’s sensitivity to light in the morning. Our genes and external cues from the environment, such as sunlight, combine to create and maintain this steady hum of activity. In humans, the churnings of our circadian rhythms help our minds and bodies maintain an internal “clock” that tells us when it is time to eat, sleep, rest and work on a world that spins once on its axis approximately every 24 hours. “Research to date has shown that the circadian rhythms of adolescents are simply fundamentally different from those of adults and children,” said lead author Gideon Dunster, a UW doctoral student in biology. The study also revealed that, after the change in school start time, students did not stay up significantly later: They simply slept in longer, a behavior that scientists say is consistent with the natural biological rhythms of adolescents. The study collected light and activity data from subjects using wrist activity monitors - rather than relying solely on self-reported sleep patterns from subjects, as is often done in sleep studies - to show that a later school start time benefits adolescents by letting them sleep longer each night. Franklin High School in Seattle, Washington. ![]() Music in the related minor key has the characteristic minor sound, and tends to use more of the related minor chords of the scale (such as Am, Dm and Em in the A Natural Minor scale). ![]() Music in a major key has the characteristic major sound, and tends to use more of the related major chords of the scale (such as Cmaj, Fmaj and Gmaj in the C Major scale). As for the key signatures of the above scales, they are as follows: C major has no sharps or flats. Music in the related minor key has the characteristic minor sound, and tends to use more of the related. Music in a major key has the characteristic major sound, and tends to use more of the related major chords of the scale (such as Cmaj, Fmaj and Gmaj in the C Major scale). There are a few that are enharmonic equivalents of each other (same piano notes, but with different names) like F. On the inside are the corresponding minor key names. On the outside are the major key names, separated by fifths. To help understand and remember key signatures, a chart called the circle of fifths can be used. So how do you know when music is in a major key, or the related minor key? The starting or ending chords in the song often give the best clues. The starting or ending chords in the song often give the best clues. The arrangement of sharps and flats at the beginning of a piece of music is called a key signature. The other key signatures can have between 1 to 7 sharps. You can assume that when a minor key is referred to, it is the Natural Minor scale, unless one of the other minor scales is specifically mentioned. The key of C major has no sharps or flats in the key signature. Some examples of equivalent Major and Natural Minor keys are shown below. This means that music in a Natural Minor scale can be written on staff lines in the key signature of its relative Major scale without any accidentals. Don’t get this confused with the relative key change I just talked about a parallel key features the same tonic, but the major or minor version of it. Another common way to change keys is going from a major key to its parallel minor (or vice versa). This is a very important property of the Natural Minor scale.Įvery Major scale has a relative Natural Minor scale, starting on its sixth note, which contains the same notes. In tonal Western art music, when a piece tends primarily to use the pitches of a single major or minor scale, it is said to be in that major or minor key. 2) Switch to the Parallel Major or Minor Key. As we noticed in the previous topic, the A Natural Minor scale contains the same notes as the C Major scale, with just a different starting note. ![]() Memorials preferred to the Alzheimer's Association, American Heart or Marco Island Patriots. A Celebration of his life will be held at a later date when restrictions are lifted from CoVid-19. Preceded in death by his parents Guy and Lydia Simon of Morton and half-brother Guy. He is also survived by his many friends that he loved so dearly. Cliff is survived by his loving wife Sandy and his beloved Yorkie CoCo, In-laws Bev and Ray Speckel and special brother-in-law Randy Speckel, the Meyer and Speckel family and by numerous Mages cousins who were so very special to him. Cliff was a long time Lion Clubs member and a Knight of Columbus member. A vibrant person, his friends were very important to him. He recently retired and enjoyed precious time in Florida with friends. He loved his career and helping his clients. Cliff was a career banker, most recently President of First MN Bank. In the cinema, he could be seen in 'Project Eden'.Simon, Clifton Edward "Cliff" Age 71 of Pequot Lakes and Naples, FL, formerly of Delano, passed away suddenly at home on May 1, 2020. Simon appeared in several US series, on an episodic basis, including 'Days of Our Lives',' Navy: Criminal Investigation ',' NCIS: New Orleans', 'Castle', 'Criminal Minds: Borderless',' Personal Space 'and' The Americans'. NEW YORK (June 25, 2020) A longtime adventurer, survivalist and military veteran, Cliff Simon is no stranger to danger and battling the extreme. He reprized his role in the movie 'Stargate: The Continuum', in 2008. Simon Battles Extreme and Unforgiving Environments as He Hunts for Answers Behind the World’s Most Notorious Paranormal Mysteries. Contents 1 Early life 2 Acting career 3 Personal life 4 Filmography 5 Published work 6 References 6.1 Notes 6. However, his best known role would be that of the villain Ba'al in 'Stargate SG-1', which he played between 20. Cliff Simon (7 September 1962 9 March 2021) was a South African athlete and actor, best known for his portrayal of Ba'al in Stargate SG-1. The death of the South African character actor who starred as the villainous Ba'al was announced on Facebook on Thursday by his wife Collette. En 1992, il participe à un concours pour gagner une place dans un opéra local. Né le 7 septembre 1962 en Afrique du Sud, Cliff Simon se consacre très jeune à la natation. ![]() Il a interprété le rôle de Baal dans Stargate SG-1. Discovered his vocation as an actor, he began his career with several theatrical productions as a dancer and acrobat, arriving to work at the Moulin Rouge in Paris in 1989.įinally, he made his acting debut in 1992, in the role of Gregory in 'Egoli: Place of Gold'. STARGATE SG-1 actor Cliff Simon has died at the age of 58 after a horror kiteboarding accident in Malibu. Cliff Simon était un acteur sud-africain né le 7 Septembre 1962 en Afrique du Sud et décédé le 9 Mars 2021 en Californie. It was there that he stepped on a stage for the first time. However, in the end, he did not attend the games by personal decision.Īfter joining the South African Air Force, he worked as a windsurfing teacher in a hotel. In 1975, after emigrating with his parents to London, he joined the British international swimming team, qualifying for the 1984 Olympic Games in Los Angeles. From a young age, Simon wanted to become the first South African swimmer to win an Olympic gold medal. Cliff Simon, the South African character actor who starred as the villainous Ba’al in the sci-fi series Stargate SG-1, died Tuesday after a kiteboarding accident. He was so loved by so many people that it is impossible to name them all," he continues.īorn Septemin Johannesburg, South Africa. "He was a great adventurer, a sailor, a swimmer, an actor, a dancer and an author. Born in Johannesburg, South Africa, Air Force veteran and International athlete Cliff Simons unique presence set him apart every time. And Simon was much more: a very authentic person, "reads the statement. But as he himself said: 'acting is what I do and it is only part of who I am'. "Most of you knew him as that villain you loved to hate, Ba'al, from 'Stargate SG-1'. It has been in a message on his Facebook page where the death of the actor has been confirmed, who died this Tuesday, March 9. He, also an athlete, had participated in other television series such as 'The Americans' or 'Personal Space'. South African actor Cliff Simon, best known for playing the villain Ba'al in the sci-fi series 'Stargate SG-1', has died at the age of 58., victim of a kitesurfing accident in Topanga Beach, Malibu, California. ![]() Adding media to your conversationsīelow the message box are three buttons to help you insert content into your message. If you encounter issues while using messages, our troubleshooting tips may help. Select the person you want to send a message to. A new message thread opens for you to begin with. To start a new conversation, select New message.Įnter the name or phone number of a contact. On your PC, in the Phone Link app, select Messages. If you haven't already set up messages, do the following: For more information, see Introducing Microsoft Phone Link and Link to Windows. In addition, the Your Phone Companion app for Android is now called Link to Windows. ![]() For example, this email-to-SMS gateway list includes different email address for many different cellular carriers around the world.Note: We’ve changed the name of the Your Phone app to Microsoft Phone Link. You could send an an email to Search for “email to SMS gateways” to find lists of gateways for different cellular service providers. You will need to know the carrier associated with the phone number to send an SMS message in this way.įor example, let’s say a person’s phone number is 1-12 and that’s a T-Mobile phone number. Send an email to the phone number at this gateway and it will be delivered to the address. Many cellular carriers offer email-to-SMS gateways you can use. if you do, people who respond will be texting you on your phone - but those messages won’t appear in the Skype app for desktop. People won’t be able to respond directly to these messages, but you can set up sender ID to have the messages displayed as coming from your mobile number. However, these won’t sync with the text-message app on your smartphone. Pay for credit and you can send and receive text messages directly from Skype. However, Microsoft does charge for this service, so you’ll have to pay to send text messages from Skype. ![]() Unlike Google Voice, this is available worldwide. Skype offers the ability to send text messages from the Skype desktop app. You’ll have to pay Google to send text messages elsewhere. Sending text messages and placing phone calls to numbers in the US and Canada is completely free with Google Voice. You can also have calls and text messages sent to that phone number be automatically forwarded to your primary phone number. Sign into the Google Voice website and you can send and receive text messages at that phone number. Google Voice gives you a new phone number, which you could use as your primary phone number if you like - although it’s unclear how long Google Voice will continue to be a service supported by Google. If you are based in the USA, you can sign up for Google Voice for free. Google Voice is still around, but it’s also still only available to people based in the USA. RELATED: 8 Reasons You Should Be Using Google Voice (If You're American) If your cellular carrier charges you for text messages, you’ll have to pay their fee. Like Messages on a Mac, this works entirely through your phone - your computer just becomes a gateway to your phone, which does the hard work of actually sending and receiving those text messages. The AirDroid app for Android also does this and works well. You can then sign into the MightyText web app in a web browser on your computer - any computer, whether it’s running Windows, Mac OS X, Linux, or Chrome OS - and you can view and send your phone’s text messages from there. MightyText is an app you install on your Android phone. If you have an Android phone, the best way to do this is MightyText. RELATED: How to Send Text Messages From Your PC With Your Android Phone If your cellular carrier charges you for texts, you’ll have to pay that fee for the messages you send. This doesn’t cost anything extra - it just uses your iPhone’s text-messaging service. Those text messages will be synced to your iPhone, too. You can reply from your Mac or send entirely new messages from the Messages app. Open the Messages app on your Mac and you’ll see a synced history of text messages from your iPhone, too. It should then work automatically if you’re using the same Apple ID to log into both your iPhone and your Mac. You’ll need to enable it on your iPhone by opening the Settings app, tapping Messages, and activating Text Message Forwarding to your Mac. This is part of the “Continuity” feature added in Mac OS X 10.10 Yosemite. The drivers for Shoestring Astronomy FCUSB and USB_Focus V3 controllers are bundled with the application. As far as this application is based on INDIGO framework, it can use many INDIGO or INDI drivers for focusers for astronomical telescopes which can be easily adapted to control manual focus lenses or macro rails. no LiveView or manual lens drive with older Nikon and all Sony cameras), but it doesn't mean, that such camera can't be used. Not every feature is supported for every camera (e.g. The built-in INDIGO driver is based on ImageCapture API and, in theory, it can work with almost any Nikon DSLR, Canon EOS DSLR, Sony Alpha DSLR-like or mirrorless camera. It can also drive camera lens or external focuser controller for defined number of steps or milliseconds for each frame or rewind to the initial position. It can preview (with LiveView for some cameras) or capture and save images to selected folder with any file name prefix, count and time lapse, browse captured images and show them in Finder, zoom and stretch them automatically or manually. MacroDSLR controls ISO, aperture (if lens mounted), shutter speed, exposure compensation, metering and focusing modes, white balance, image quality and format and BULB exposure length. ![]() MacroDSLR is a digital camera tethering and remote capture application specialised for a macro or time-lapse photography. As far as this application is based on INDIGO framework, it can use many INDIGO or INDI drivers for focusers for astronomical telescopes. Captured images can be plate-solved using public service or local Astrometry for OS X application. It can measure FWHM, HFD and the drift of a selected star to help easier and faster focus and align your equatorial telescope mount. ![]() It can preview (optionally using LiveView) or capture and save images to selected folder with any file name prefix, count and time lapse, browse captured images and show them in Finder, zoom and stretch them automatically or manually. Check if your camera is compatibleĪstroDSLR is digital camera tethering and remote capture application specialised for astrophotography.ĪstroDSLR controls ISO, aperture (if lens mounted), shutter speed and BULB exposure length, exposure compensation, metering and focusing modes, white balance, image quality and format. Do you want to shoot tethered wireless into Lightroom – here’s how.įor a complete list of Lightroom Tethering Support, check Adobe's published list. ![]() The tethering feature is compatible with select Canon, Nikon and Leica digital cameras. Here a list of supported compatible cameras. A few of the many features include importing photos as they are taken and loading them to a selected catalog. Lightroom Classic offers access to many of the camera’s settings directly from computer as well as instant viewing, zooming, rating and tagging of shots. The ultimate benefit is checking focus, lighting and composition in great detail. Available for Windows or Mac. Here are additional details for Lightroom Classic. The classic version of Adobe's Lightroom software is available through a Creative Cloud Subscription and is currently the only version that supports tethering to DSLR or mirrorless cameras. Edit hardware seup using the “Setup hardware” tool and removed the demo camera, and added the NikonDSLR.Ħ.Adobe Lightroom Classic incorporates tethering functionality in its comprehensive RAW processing and photo management software. Run NKRemote and snap image to confirm communication with camera.ĥ. Download nightly uManager build & Install.Ĥ. Download Breeze Systems trial for NKRemote & Install.Ģ. My summary of setup, which took a whopping 5 minutes (this is amazingly quick for open source software!) went as follows:ġ. So, follow the instructions found here for setup. ![]() A right angle view finder isn’t required, if you don’t mind a stiff neck! Setup: The software currently ranges from $90-180.ħ. Control Software for interfacing to uManager. External power supply for camera or a battery extension (more for ease of use but I consider it a requirement).Ħ. Likewise, poets and theorists have explored new computational tools in the past and are likely to do so in the future. However, because computer poetry generation can be considered one of the “key benchmarks of general human intelligence” (Manurung 2003), it has been pursued by various researchers and programmers in the past and is likely to be of continued interest in the future. This is probably due to the cultural and historical divisions between artists, humanists, engineers, and scientists, as well as to the fact that humans are generally good enough at writing expressive poetry that the input of computer programs is not needed. There is no unified community practicing such a poetics. This approach to poetry exposes and innovates relationships between the author, authoring tool, text, means of distribution, and reader. Such production often involves developing new ways for the computer to generate text, with various types of input from a human. There are a number of ways that these technologies can be used to produce poetry. These language technologies include algorithms, computational models, and corpora. To begin to look at graphic scansion, we first must look at a couple of symbols that are used to scan a poem.Just as networked personal computers are encouraging new approaches to poetry that depend on computation (Funkhouser 2008), recent trends in language technology are enabling new types of poetic expression. For a discussion of the others, I refer you to Fussell, page 18. Since the most commonly and most easily used is graphic, we will use it in our discussion. There are three kinds of scansion: the graphic, the musical and the acoustic. This technique is called scansion, and it is important because it puts visual markers onto an otherwise entirely heard phenomenon. To get a bearing on what these rhythms look and sound like, let's start with a method for writing out the rhythms of a poem. The former is the more common adherence to the latter often leads an English language poet toward self-conscious verse, as their predictable rhythms are counter to natural English speech (not that it is impossible to create great verse with this technique, but there is a tendency for it to end up so). For this reason most English language poets opt to look at their own meter as accentual or accentual-syllabic. There may be one, two, or three syllables between accents (or more, but this is a matter of debate). This means that its natural rhythms are not found naturally from syllable to syllable, but rather from one accent to the next. English, being of Germanic origin, is a predominantly accentual language. Of the ways of looking at meter, the most common in English are those that are accentual. Quantitative: Measures the duration of words.Accentual-syllabic: A counting of syllables and accents.Accentual: A counting of accents only per line.Syllabic: A general counting of syllables per line.Fussell defines meter as "what results when the natural rhythmical movements of colloquial speech are heightened, organized, and regulated so that emerges from the relative phonetic haphazard of ordinary utterance." (4-5) To "meter" something, then, is to "measure" it (the word meter itself is derived from the Greek for measure), and there are four common ways to view meter. Although some of Fussell's ideas are a bit outdated (namely, he doesn't deal with the visual elements of a poem), his approach is complete, concise and useful. The bible of most poets today regarding meter and sound is a book by Paul Fussell called Poetic Meter and Poetic Form. The crafting of the aural aspects of a poem is what we may call "ear training." Thus, the crafting of the visual aspects is what we'd call "eye training." Meter A brief exploration of the various aspects of sound that can be utilized when making a poem. |
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